Sunday, December 29, 2019
Essay on Facades in Henrik Ibsenââ¬â¢s A Dollââ¬â¢s House
When a young girl plays with her doll house, she imagines a make-believe world full of enchantment. However, little does she realize the false and unattainable image of perfection that lies before her. With every miniature doorway and elaborate bookcase, the doll house disguises reality with a mask of flawless excellence. Similarly, Henrik Ibsen describes many appearances in A Doll House as mere faà §ades of deception. These images reiterate the theme that outer appearances are never what they seem. Through his dealing with Noraââ¬â¢s societal role and his use of symbolism, Ibsen effectively contrasts the themes of appearance and reality and suggests that all faà §ades will eventually be revealed. In societyââ¬â¢s view,â⬠¦show more contentâ⬠¦Another form of deception in the play is Noraââ¬â¢s oscillating role between a homemaker and an individual. For Noraââ¬â¢s entire life, society has forced her to succumb to its expectations of a womanââ¬â¢s role as a devoted mother, rather than to her personal desires. However, in raising the children, she continues to reinforce these societal traditions. For example, Nora plays a game of hide-and-seek with her children. Although this amusement may seem infantile, the game itself is based on deception with its emphasis on concealment. Symbolically, Nora continues to hide behind the female persona of a mother. In the game, Nora replies, ââ¬Å"Yes, let me hide firstâ⬠(1023). As a mother, Nora sets the standards for her children. Thus, in essence, she is telling her children that it is acceptable to hide your true, individual desires. She therefore continues the repressive chain through the symbolic game of hide and seek, as she calls her children her ââ¬Å"little, lovely doll babiesâ⬠and encourages them in this entertainment (1023). However, Nora soon learns of Krogstadââ¬â¢s discovery of her forgery. She then recognizes that she cannot continue to conceal her past with a clear conscience. As a result, she never plays hide-and-seek with the children again, and, as a result, symbolically recognizes the fact that she ââ¬Å"canââ¬â¢t be together with them as much as [she] wasâ⬠(1031, original). SheShow MoreRelated Essay on Lies and Self-realization in A Dolls House1162 Words à |à 5 PagesSelf-realization in A Dolls House à In Ibsens play,à A Dolls House,à the characters willingly exist in a situation of untruth or inadequate truth that conceals conflict.à Noras independent nature is in contradiction to the tyrannical authority of Torvald.à This conflict is concealed by the way they both hide their true selves from society, each other, and ultimately themselves.à Just like Nora and Torvald, every character in this play is trapped in a situation of untruth. 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Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Noraââ¬â¢s interaction with her morally ultimate husband, Torvald. Nora parades the faà §ade of being naà ¯ve and frivolous, deteriorating her character fromRead MoreAttending a Masquerade in In A Doll House by Henrik Ibsen907 Words à |à 4 PagesA Doll House by Henrik Ibsen, each character has constructed their own metaphorical mask that they set firmly in place every morning when exiting their bed. Each c haracter: Nora, Torvald, and Krogstad all have masks that they put in place when speaking to each other. Throughout most of the play, it is clear that all of the aforementioned characters have multiple facades that they use when speaking to one another; often switching quickly as they begin speaking to someone else. 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