Falstaffs Role in Henry IV, Part One Essay -- Henry IV Henry V Essays

Falstaffs Role in atomic number 1 IV, Part unitary Henry IV, Part One, has always been one of the most popular of Shakespeares pranks, maybe because of Falstaff. overmuch of the early criticism I found concentrated on Falstaff and so willing I. This may begin in the eighteenth century with Samuel Johnson. For Johnson, the Prince is a young man of great abilities and violent passions, and Hotspur is a rugged soldier, barely Falstaff, unimitated, unimitable Falstaff, how shall I describe thee? Thou compound of sense and vice . . . a character loaded with faults, and with faults which produce contempt . . . a thief, a glutton, a coward, and a boaster, always ready to cheat the weak and prey upon the sorry to terrify the timorous and insult the defenceless . . . his wit is not of the handsome or ambitious kind, but consists in easy escapes and sallies of levity yet he is varnished with no enormous or sanguinary crimes, so that his licentiousness is not so offensive but tha t it may be borne for his mirth. Johnson makes three assumptions in his reading of the play 1. That Falstaff is the kind of character who invites a moral head mainly that he can answer to the charge of being a coward. 2. That you (the reader) can detach Falstaffs frivolity from the play and it can exist for its profess sake apart from the major theme of the drama. 3. That the play is really roughly the fate of the kingdom, and that you (the reader) do not connect Falstaffs scenes with the main action. This means that the play has no real unity. Starting with Johnsons first assumption, I do equalize with this. Any discussion of Fa... ...ributes to Hals maturing process, and it does. In conclusion, every age of man has and will continue to judge Falstaffs role based on the morals and the idea of the day. His frivolity is necessary to make the play amusing and interesting profuse to hold the readers/viewers attention. However, that Falstaffs scenes are needed sh ould go without question leaving the critics and us only to debate his motivation and his tactics. Works Cited Bloom, Harold. Henry IV, Part One Blooms Notes. New York Chelsea House, 1996. Cruttwell,Patrick. Hernry IV. Shakespeare For Students, Vol. II. Detroit Gale Publishing, 1999. Kantor, Andrea. Henry IV, Part One. London Barons Education Series, Inc, 1984. Princiss, G.M. Henry IV Criticism. Shakespeare For Students, Vol.II. Detroit Gale Publishing, 1999.